The View from Here


Prehistoric Beasts in my Backyard
December 12, 2009, 12:24 pm
Filed under: Reptiles & Amphibians

Three hundred million years ago, before the Appalachian Mountains were pushed up by continental collision, the first land dwelling vertebrates were living in vast swamp forests. These were quadraped vertebrates, amphibians recently evolved from fish that had adapted to life in the shallows. Salamanders, essentially. Some were giants, several feet long. These creatures continued to evolve and radiate into many new species over many millions of years. Some would develop the ability to lay eggs on land and would become reptiles, eventually radiating into  dinosaurs, birds and mammals. Some would continue to enjoy life at the water’s edge.  Now, 300 million years later, the Appalachian Mountains are the center of salamander diversity, with over 60 species.  They range from tiny species like the Red-Backed Salamander a couple of inches long, to the stream-dwelling giants like the  two-foot long Hellbender and the Mudpuppy. The Asian relatives of the Hellbender approach the size of the ancient giants, at 3 to 4 feet long. Some of these species occupy a single mountain, others range over much of the country.

A Red-Backed Salamander in my ancient stairwell

My backyard in urban Cincinnati doesn’t seem like such a likely place for these primitive creatures. Still, salamanders are abundant in the local woodlands, so it shouldn’t be too surprising that they occupy a niche in my little oasis of wilderness. Some of our neighborhood preserves have what appear to be “original” trees (200+ years old), implying that parts of the woods are virgin. Salamanders from these undisturbed habitats can refill the areas where amphibians were extirpated by agriculture or development, when suitable habitat reappears in backyards across the neighborhood.
The stairwell leading down to my basement is a damp, mossy place. I suppose I should clean out the moss, but I really kind of like it, and now I find that it is a habitat for some of my favorite creatures. The other day I happened upon a tiny Red-Backed Salamander (Plethodon cinereus), sitting on a step, contemplating an isopod that might make a good breakfast. It struck me that the little microhabitat he was in resembled those swamp forests of yore. Mosses and ferns were the predominant plant types in the coal swamps along with giant horsetails. A tiny descendent of those Carboniferous horsetails lives in my garden pond. I could picture the giant “salamanders” slithering about in the swampy waters, with giant dragonflies overhead. The dragonflies are still present as well. My pond and koi tub attract the winged predators, one the of the great benefits of having water in the garden. Of course, they don’t approach the 3ft wing span of the dragonflies of the Carboniferous swamps, but they are colorful and interesting nonetheless.

A Blue Dragonfly suns itself above my garden pond.

Redbacks are not the biggest or the most colorful salamanders in our area, but they might be among the most important. This is simply because of their abundance. They can account for a biomass equal to the mass of all the mammals in a given forest. This fact makes them among the most important actors in the woodland drama. It shouldn’t surprise any biologist that such a tiny, delicate creature has such a dominant role in an ecosystem. After all, the smallest creatures on earth, the bacteria, are the dominate life form. We like to think of ourselves as dominant, but we have only learned to dominate large creatures. We are still at the mercy of bacteria, who account for the most biomass of all living things on earth.

The Red-Backed Salamander strikes me as the Joe-Six Pack of the salamander world. Pedestrian in every way, they are widespread, are common, and have a dominant role in the economy of the forest floor. They are not particularly colorful or striking in any way. They are somewhat unusual in the salamander world because they skip the aquatic stage of life. They lay their eggs on land, guarding them until they hatch. The young pass through the larval stage while still in the egg, and hatch as fully formed, but tiny, salamanders. This might account for their relative abundance compared to other species. By skipping the need to return to water for reproduction, they can colonize wide areas of suitable habitat.

Other species in our neighborhood have more restricted habitats.  The Longtailed Salamander and the Cave salamander both inhabit the deep recesses of wet rock outcrops.

The Long-Tailed Salamander (Eurycea longicauda)

The Cave Salamander prefers limestone outcrops, and the deep caves of limestone areas. Spring Salamanders take after their name, and can also be seen in deep caves as larva.  Some of my favorites are the Red-Spotted newt and the whole Ambystoma genus. This includes the beautiful Marbled and Spotted Salamanders, along with the Tiger, The Jefferson’s and Narrow-Mouthed Salamanders.  These mostly occur in undisturbed woodlands, so they aren’t seen in or near Cincinnati except, perhaps, as isolated relict populations. Woodland streams in the area can host Two-Lined Salamanders or Dusky Salamanders, but both prefer clean water, something not see very often in streams around the city.

The Cave Salamander (Eurycea lucifuga)

Being colorful and somewhat anthropomorphic, they make great subjects for paintings.  I’ve done a few over the years:

"Cave Salamander" 20 x 30 acrylic on canvas. A Cave salamander on the scalloped limestone of a cave wall.

"A Walk Across Time" 32 x 48 Acrylic on canvas. A Red Eft walks across fossils from the swamps of the Carboniferous, where salamanders first evolved.

"The Slimy Salamander" 10 x 8 Acrylic on panel.

"Spotted Salamander" 8 x 10 Acrylic on panel



Upcoming Ivory-Bill Expedition.
November 22, 2009, 10:39 am
Filed under: Birds, Ivory-Billed Woopeckers

My art group, Masterworks For Nature, is teaming up with the Cincinnati Zoo and Geoff Hill of Auburn University to conduct an Ivory Bill “hunt” in the Choctawhatchee River Basin in January 2010. The Zoo is bringing a videographer to film the expedition, and a DNA expert in the hopes that we’ll find potential IBW feathers or droppings.  A few of our Masterworks members have been involved with IBW research for a while. John Ruthven was involved in the Arkansas search before it was made public, and was commissioned by the Interior Department to paint the bird. The painting was unveiled at Interior’s announcement of the bird’s rediscovery.
There will be a fairly large number of people involved (2 dozen??), so we can coordinate efforts to cover a large area at any given time. Our trip in 2008 was successful in that two of our members saw the bird, but we know it slipped by others because of gaps in our coverage. Finding active nest holes is the main objective, other than photographing the bird (always the top priority).  I’ll post more as the expedition is planned in detail, and of course, a full report after it happens.

Watch for my article about my 2008 sighting in the January-February issue of Bird Watcher’s Digest.

My recreation of my 2008 sighting of the Ivory-Billed Woodpecker. Giclee canvas prints are available, with sales benefiting Geoff Hill's Ivory-Billed research. The original painting is also available, with 20% of the sale price benefiting Hill's research. See www.johnnagnew.com for details



New Works at upcoming Masterworks show, Nov. 21-29
November 10, 2009, 6:44 pm
Filed under: Art News

Some of my most recent paintings will be on exhibit this month at the Cincinnati Nature Center (http://www.cincynature.org/) in a show by Masterworks for Nature (www.masterworksfornature.org). November 21-29 in the Rowe building. This show is a benefit for the Nature Center. Original paintings, prints and books by the artists of Masterworks For Nature will be available for purchase.

I will exhibit a mix of plein aire and studio works. Here is a sampling:Morning On Owlsley Lake

Spring Grove plein aire 2

"Autumn on the Pond" 14 x 11 Acrylic on panel, Plein Aire

"Ivory-Bill!"

"Ivorybill!" 20 x 16 acrylic on panel

Harvest time

"Harvest Time" 12 x 9 acrylic on panel

Au Sable Pt painting:sm

"Au Sable Point, Michigan" 11 x 14 acrylic on panel, plein aire



Show Ends, Plein Aire Goes On
November 4, 2009, 8:48 am
Filed under: Art News

My exhibit of plein aire paintings of Hamilton County parks is over, although some of them are still on display in a case outside the gift shop of the Sharon Centre.  Many were sold at the show, but some of my favorites are still available.

I had first experienced experienced the pleasures of  painting en plein aire a few years ago, although over the course of my life I’ve done the odd watercolor during my travels. Six years ago I participated in a painting workshop in Wyoming with the Susan K. Black Foundation, and  bought a French easel and found that I really enjoyed  painting en plein aire. I haven’t taken it seriously until my project with the County Parks.  That project got me outside with my easel at least once a week over the course of about 10 months. My term as Artist In Residence at Pictured Rocks in September sealed the deal. Spending an idyllic 3 weeks painting in beautiful places made me think a lot about doing it a lot more.  Since my return, I turned out two more paintings for the Hamilton County exhibit, and a couple more at the large cemetery & arboretum, Spring Grove Cemetery, just a stone’s throw from my house.

 

Spring Grove plein aire 2

A plein aire painting done at Spring Grove Cemetery

Spring Grove plein aire 1

Nearly the same scene, different day at Spring Grove Cemetery, Cincinnati

 

 

Being able to sell my paintings done en plein aire definitely affects my desire to do them. I do, after all, make my living with my art, so it isn’t just about what I enjoy doing the most.  At first I wondered if there could be a market for these paintings done in an afternoon. After all, my signature style has always been a very tight, highly detailed photo realism. These paintings could take several weeks to complete, and cost thousands. Especially in this economy, it is hard to sell big expensive paintings, so the 9×12 and 11×14 paintings selling for a few hundred have gone pretty well.  The fact that they are fun to do, and are usually done in a beautiful spot (as opposed to my cramped studio) also fans my desire to do them.

Our local landscape just doesn’t excite me as much as the shore of Lake Superior. I suppose anything new is always more interesting, but it really is more scenic up there. Of course, if you really look, there are paintings almost anywhere you go, but the fact remains that some landscapes are just more interesting than others. So, I hope to travel more with my easel. My stint as Artist In Residence at Pictured Rocks has inspired me to look for more national parks with A.I.R. programs.  I will look west and south of Ohio. Everglades National Park is another spot with which I have been familiar a long time. The parks of southern Utah’s canyon country are also high on my list.

Since I am not a winter-tolerant person, I’ll be spending more time in the studio as our weather deteriorates. My scratchboard drawings are calling me…



Show Opening, October 18-25, 1-4PM
October 13, 2009, 2:49 pm
Filed under: Art News

My exhibit of plein aire paintings of Hamilton County parks opens this Sunday, October 18th. There will be a reception from 1-4 pm, where I will be doing a demonstration painting.  The opening is at the Sharon Centre in Sharon Woods Park, on Rt. 42 south of I-275 East. (north of Cincinnati)  The show will remain open until October 25, 10am-4pm.

I’ll be exhibiting some of my plein aire paintings from Pictured Rocks National Lakeshore along with my paintings of our own Hamilton County Parks.

I hope to see you there!

The Lake at Miami-Whitewater Forest, 10 x 16 acrylic on panel

The Lake at Miami-Whitewater Forest, 10 x 20 acrylic on panel

West Entrance, Miami-Whitewater Forest, 11 x 14 acrylic on panel

West Entrance, Miami-Whitewater Forest, 11 x 14 acrylic on panel

"Buckeye Falls, March"  11 x 14 Acrylic on panel

"Buckeye Falls, March" 11 x 14 Acrylic on panel

Wetlands Trail Meadow, Glenwood Gardens  11 x 14 acrylic on panel

Wetlands Trail Meadow, Glenwood Gardens 11 x 14 acrylic on panel



Artist in Resonance
September 30, 2009, 10:21 am
Filed under: Adventures, Art News

What a way to experience a national park.  Doing “plein air” painting in wonderful natural settings is just an incredible way to really soak in the essence of a place. I just finished 3 weeks as Artist In Residence at Pictured Rocks National Lakeshore (in Michigan’s Upper Peninsula), and it feels as if it has been burned into my memory. Staring intently at a scene for hours, deconstructing it in your mind and reconstructing it in paint is a good way to make a pretty firm visual memory of a place. I also experience and visualize places through photography, but it is just not as complete a way to incorporate a place into yourself as painting can be.

A day at the office. Working on Au Sable Creek

A day at the office. Working on Au Sable Creek

We were provided an old farm house as housing, and were quite comfortable. My normal way to experience a national park is by camping. That can be a lot of fun, but there is a lot to be said for a kitchen, a shower and a bed at the end of a long trail.  Maybe it’s because I’m edging toward the far end of my fifth decade that the ground just isn’t as comfortable as it used to be. Maybe it’s the modern conveniences in the kitchen. Anyway, this trip might have spoiled me. I’ll be applying to more parks.

Home, sweet home during my stay at PRNL

Home, sweet home during my stay at PRNL

My typical set-up, with a chair and my French Easel. Nice view from my office, don't you think?

My typical set-up, with a chair and my French easel. Nice view from my office, don't you think?

Being comfortable, well fed and well rested probably boosted my endurance. I’m usually ready to head for the barn after a week or two in a tent, but I gladly spent the entire 3 weeks painting happily on a trail somewhere in the park. It was just idyllic. The park staff kindly provided perfect weather, and everywhere we looked there were paintings waiting to be done. The commute to work every day began in the car, but quickly switched to trail or kayak. Traffic was generally light. Typically, I’d find a spot and sit down to paint while Pat took off on a trail. She covered over a hundred miles during my 3 weeks of painting.    After Labor Day, we saw so few people out in the park on trails or beaches that it began to feel like our own private park.  It’s true that I normally pick out of the way spots so as to avoid people while I work. It is not so much that I am annoyed by people talking to me, but it is an interruption of limited time.  When people do talk to me, I often continue working, which might appear rude to some.  Painting in spots that keep me isolated allows me to concentrate more fully, and remain “in the zone” if there is one for painters.  The one disadvantage of working in isolated spots is the increased chance of surprise wildlife encounters. Having a bear look over my shoulder while I’m working would be a bit disconcerting, although my usual encounters are more benign and welcome (not that  I don’t like bears). I’ve been visited by otters, eagles, deer and other fascinating creatures.  Sitting quietly in one spot is a great way to see wildlife, as many hunters will tell you. After a long day in the wilds and after supper, we’d head back out for an evening on the beach watching the sunset, or listening to the coyotes and wolves singing at the rising moon.  When the moon waned and disappeared from the evening sky, we could see the Milky Way in its full glory, and even our nearest galactic neighbor the Andromeda Galaxy, visible without a telescope (2.8 million light years away!).  It was a hard job, but…

Sunset on Lake Superior

Sunset on Lake Superior

The Milky Way, a 30-sec exposure

The Milky Way, a 30-sec exposure

The results of my artistic efforts were mixed. I was pretty happy with about half of the 12 paintings I produced in the 19 days of work.  Paintings of stones, a successful studio series inspired by Pictured Rocks, were not so successful as plein air paintings. I did better with landscapes and water.

On September 23, I gave a program to the public and park volunteers. I displayed the paintings I had finished during my stay, and lost my best efforts to sales and a donation to the park. This is the eternal curse of the artist; having to repeatedly sell your favorite children to make a living.

My commute to work, traffic was light.

My commute to work, traffic was light.

My "studio" at Legion Lake. What a way to make a living.

My "studio" at Legion Lake. What a way to make a living.

"The Coves" 14 x 11 acrylic on panel

"The Coves" 14 x 11 acrylic on panel

"Au Sable Creek" 11 x 14, acrylic on panel

"Au Sable Creek" 11 x 14, acrylic on panel

"Au Sable Point" 11 x 14 acrylic on panel. A misty gray morning on the point.

"Au Sable Point" 11 x 14 acrylic on panel. A misty gray morning on the point. That's the lighthouse poking above the trees in the distance.



SAA Award
September 29, 2009, 4:55 pm
Filed under: Art News, Crocodilians

I had one scratchboard drawing, “New Guinea Crocodile,” in this year’s “Art and the Animal,” the annual show of the Society of Animal Artists (scroll down to “Shows This Summer” for an image). I was honored with the “Patricia A. Bott Award for Creative Excellence.” Thank you, SAA judges!
I seem to be doing well with scratchboard drawings (this is my second award from SAA for a scratchboard). Perhaps the competition is thin in scratchboard because few people have the patience for extreme tedium, uh, I mean detail.



Artist In Residence, Pictured Rocks National Lakeshore, Sept. 3-23, 2009
July 31, 2009, 9:28 pm
Filed under: Art News

I was honored to be chosen as this year’s Artist In Residence at Pictured Rocks National Lakeshore, on the Upper Peninsula of Michigan. I’ll be there September 3-23. If you’re in the neighborhood, pay me a visit. I’ll be painting at various places around the park. At the end of my stay I’ll do a talk about my work and travels, and I’ll have a show of the paintings I do in the park (Sept. 23rd, 7PM, @ park visitor center).  Of course, I’ll post some blog entries while I’m there… if I can find wi-fi!
Pictured Rocks is one of my favorite spots (See “Chillin’ On The North Shore,” February, 2009), and has inspired lots of paintings. The masthead of this blog is a painting of the lakeshore at PR.  Here are a few more:

"Little Beaver Lake" 11 x 14 acrylic on panel (plein air)

"Little Beaver Lake" 11 x 14 acrylic on panel (plein air)

"Superior Beach" 6 x 10 acrylic on panel

"Superior Beach" 5 x 11 acrylic on panel

"Beach Pebbles"  10 x 10, acrylic on panel

"Beach Pebbles" 10 x 10, acrylic on panel



Shows This Summer
July 31, 2009, 9:09 pm
Filed under: Art News

I was juried into the annual shows of two wildlife artist groups that I belong to, the Society of Animal Artists’ “Art and the Animal” opening at the Rolling Hills Wildlife Adventure in Salina, Kansas,Sept. 5-Nov. 1, 2009,  and the Artists For Conservation show, “The Art of Conservation,” opening at the Hiram Blauvelt Art Museum in New Jersey, Sept. 16-Dec. 20, 2009. Both shows will tour, check the organizations websites for details.

www.societyofanimalartists.com/exhibits.html

http://www.natureartists.com/

  "Greater One-Horned Rhino" 16 x 22 acrylic on canvas. This one will be in AFC's "Art of Conservation"

"Greater One-Horned Rhino" 16 x 22 acrylic on canvas. This one will be in AFC's "Art of Conservation"

"New Guinea Crocodile" 8 x 10 scratchboard.  Will be in the SAA's annual show

"New Guinea Crocodile" 8 x 10 scratchboard. Will be in the SAA's annual show



Frog update
July 31, 2009, 10:25 am
Filed under: Reptiles & Amphibians

We’re well into froggy season now, and we’ve seen our second batch of bullfrog eggs. For some reason, both the Bulls and the Greens seem to prefer to breed in the 2 x 4 x 2 koi tub instead of the big pond. There are fish in both the pond and the tub, so go figure. What really puzzles me is how the frogs find the tub. The water is not visible from ground level (the tub is 2 ft high) and there is no water noise of any kind. It doesn’t seem like instinct would lead one UP to water. They must either be able to sense the water, or they just explore a lot and found it by accident.

The frogs have been especially noisy this year, which hasn’t bothered the neighbors as far as I know. The bullfrogs can be quite loud at times.  When the males are singing, they puff themselves up with air like a balloon so that they float high on the water. When they call, the air transfers from their inflated lungs into the ballooning throat as if an invisible hand was squeezing him like a balloon. While in this inflated condition they seem to be especially agitated, charging and barking at other frogs. Ahhrummm!

An inflated male Bullfrog. This is a stereo photo. Cross your eyes slowly and merge the images to see it in 3D!

An inflated male Bullfrog. This is a stereo photo. Cross your eyes slowly and merge the images to see it in 3D!

The eggs develop very quickly, hatching tiny black tadpoles in about 3 days, but it takes two years to get from egg to frog. Right now, I have tadpoles morphing into frogs in the big pond, survivors of eggs laid in 2007. There are several dozen little frogs visible at any time, and big tadpoles frequently rise to the surface. The big bullfrogs are getting fat by eating little frogs, but every year I see a few that survive to sub-adulthood. Out of the thousands of eggs laid each year, only a couple will survive to produce the next generation. In a larger pond, the tadpoles would have slightly better odds, but the percentage of survivors in nature is always low. This selection for survival keeps the frogs healthy and the population at a sustainable level.

New Green Frog eggs

New Green Frog eggs

Developing into tadpoles...

Developing into tadpoles...